I just walked away from an $8,000 project.
“What, are you crazy?!” Is probably what you’re thinking right now.
Yes, I am crazy. Crazy enough to put my sanity and happiness before profits.
The reason I want to share this with you is to encourage all other designers out there that it’s okay to say “no” sometimes. In fact, the ability to say “no” is an important part of what we do.
But if you’re a people pleaser like me, that’s easier said than done.
Although my exact circumstance and decisions are not appropriate or applicable for everyone, I believe there are some key lessons we can all take away, namely in the form of recognizing red flags.
This all started when I got a phone call out of the blue from a PC (potential client).
We chatted briefly over the phone, she seemed very nice and enthusiastic about her project, which would be substantial (several logos and a couple of websites). We agreed to meet so I could more thoroughly go over the project brief with her and assess if this would be a good fit.
But there were things right away that didn’t feel quite right, and I ignored them. I would later regret that decision.
Here are some of those red flags we should never ignore:
Red Flag #1: The client knows exactly what they want.
This particular client had numerous sketches drawn out on several sheets of paper that she brought with her. Now, this isn’t necessarily a bad thing; sometimes it’s good to have a client who already has a rough idea of which direction they’d like to go. But these were detailed, specific sketches, and she seemed very attached to a certain, narrow visual interpretation.
For some designers, that’s A-okay; there are designers out there who are just good at taking orders and enjoy being, what I call, a pixel-pusher.
Red Flag #1: The client knows exactly what they want. Click To Tweet
Not me. I’m definitely more of the concept-creative-art director, who flourishes in the creative process of coming up with solutions. So right away this would not be a good match.
Red Flag #2: The client had been “trying out different things/thinking about this design” for years.
This is similar to Red Flag #1, but makes it even more potent.
Instead of just casually brainstorming some ideas, this client had been sitting on this for a long period of time, so she was prematurely married to her own version of the solution.
This would make it infinitely harder to persuade her that another direction might actually be in her best interest. It also meant that she had taken on the role of the designer, by “trying” different fonts and arrangements.
I’m sorry, but that’s my job.
Red Flag #3: The client starts to dictate changes, essentially becoming your puppeteer.
I cannot reiterate this enough: it is perfectly fine for a client to be involved closely with the designer during the creative process. In fact, it is encouraged.
But being involved and providing feedback is different from, “move that there and make this bigger.” Again, she was in designer/puppet-master mode.
Ideally, a client who isn’t sure about a certain design decision would be better served if they phrased things like, “Do you think this logo would appeal more to our audience if we chose a different color?” rather than, “Can you make it blue?”
See the difference?
Red Flag #4: The client won’t listen to your professional advice or input.
I’ll be the first to admit: I’m not always right. But at the same time, I assume that clients hire me for my skills and my expertise as a designer and marketer.
And part of that expertise is to get inside the minds of the intended audience, to suss out what would appeal to them the most.
So it’s up to me to alert the client when they are doing something visually that might not resonate with their market.
It really is in their best interest to at least consider what I have to say; ultimately, I do understand that, in the end, it is their logo/website/whatever. Yet oftentimes you can just tell when they’re making a grave mistake that will hurt them in the long run.
Red Flag #5: The client only cares about what “feels right” to them
In line with Red Flag #5 above, this ties in closely with the idea that graphic design is about meeting business goals, not making you feel good.
The ideological divide between designing for the client, and designing for the audience, is fiercely contested by both sides.
I happen to fall more on the importance of making the audience happy (can you tell?), because in reality, that’s all that matters anyway.
I frankly *almost* don’t care if the client likes the design; my main concern is what the audience thinks. Because ultimately, they’re the ones that decide. Not me. Not the client. Period.
So she ignored my repeated attempts to gently guide her in this direction, and remained stubborn. This client wanted what she wanted, and the audience was an afterthought.
Red Flag #6: The client expects you to be a mind reader.
This is related to the much hated common adage, “I’ll know it when I see it.”
Nothing rakes on a designer’s nerves more than this unrealistic expectation. The sad truth is, no one can know exactly what it is that someone else has imagined in their head.
But throughout the process, even though I would make the countless changes she specified, it still wasn’t quite right. Which inevitably leads to frustration, for both parties.
Some of these warning signs came early on, before I even wrote up the project proposal.
But the rest came soon after, and I chose to ignore them in favor of the big paycheck.
But you know what? Eventually, it became too stressful.
After two months of working on this project, I started to dread sitting down and doing the edits. My heart sank during our meetings. I was completely demotivated, and it started to affect my other projects and clients.
In the end, I decided to pull the plug.
I offered her a full refund for the work we’ve done so far, and fortunately, we parted ways amicably. I honestly hold her as a person in the highest regard, and have no ill will towards her or the project; it just wasn’t a good client-designer match, and I take full responsibility for ignoring these red flags.
While I was lucky enough to be in a place financially to walk away, it still was hard to let such a big project go. But looking back I know I made the right decision, for her and for me. It really is a weight lifted off of my shoulders, which no amount of money can buy.
What about you?
Have you had any nightmare clients or projects? Can a project pay you enough to stay on even if you hate it? Should designers listen to or ignore red flags? Is having boundaries, given the slow economy, wise or foolish?
14 Comments. Leave new
Learning from scratch in the printing industry has been tough. The lack of formal qualifications has been a stigma that I have fought even though I learnt the hard way on real print design jobs. This meant that I took what I could get because I did not have the highest opinion of myself even though there was a natural flair and passion I still have today, 15 years later.
There have been so many times that I probably should have walked away from clients in my professional life. One of these clients gave me my start, a friend and mentor, and I am extremely grateful for that but I outgrew them and had to move on. I still do work for them occasionally now but it the things that happened in have put a strain on our friendship. What once was very close is now more like just an acquaintance.
I still get the odd client who does not directly show that they disrespect what I do but by not paying me or questioning my fees, the disrespect is apparent. I once thought that beggars cannot be choosers, and still take what I can get, but I hope that the quality of my client and recognition of my work has improved. With reputation comes respect and surrounding yourself with people who recognise your professional abilities. These types will come and go, I just hope that I can more easily recognise the “red flags” and make a decision accordingly.
Hey Matthew,
thanks for reading and sharing your experience! It’s good to know that even someone with 15 years under their belt still deals with the same thing. Like you said, the biggest thing is learning from our mistakes and recognizing those red flags 🙂
Sorry, with the comment above, it should say, “things that happened in the past have put a strain on our friendship”
Thanks for the article, Sheila – it puts my mind at ease to know that sometimes I’m not just being “picky”….sometimes it’s best to walk away!
I’m curious, however, of how you would suggest “saying no” to a client like this? I always struggle with this part of the business – after all, it’s clear to both parties that I am capable of actually doing the work, so what reason do I give for turning them down without offending them or actually saying “I think you’ll be too difficult to work with” (even though that’s what I mean!).
Hey Danika,
Thanks for reading! Sorry it took me so long to get back to you, I just thought your question was so good I should write a post about it!
http://www.sheilapatterson.com/2013/06/how-to-graciously-turn-down-projects/
Everything you need to know to turn down a project/client…graciously 🙂 Enjoy!
Hi Sheila,
I hope you still remember me, I commented on some of your articles in the past and I am a big fan of your blog 🙂
I think you forgot one major red flag! If somebody refers your services to their friends or colleagues they call you up and say such and such recommended you, but I am still talking to other designers…….
Hi Eva, yes, I definitely remember you! How’s business going?
You are right, that is a HUGE red flag. Thanks for mentioning that!
Business is still very slow. Freelancing sort of chose me. I would prefer working for an agency and get regular paycheck and some security for change…..sometimes freelancing can be so isolating, but unfortunately there is no such thing. I’ve tried and tried, have been through many interviews and after last two I just gave up. All you get is just scam, I was asked to do “test project”, you know when you redesign our homepage or redo our collateral catalogs, if we like it we’ll hire you on the spot…..everybody wants something for nothing, it’s heartbreaking how badly we designers are treated, I don’t recognize this country anymore, it used to be land of opportunity, and who was talented and hardworking got recognition, well not anymore….so freelancing is the only way and what’s left, if I want to still do this!
Hi Sheila,
recently I read this article on GDB (graphic design blender, now I call it blunder 🙂 this woman April Greer is promoting what we are fighting against! -manipulative clients- turning us into pixel pushers, amateur design critique-rs and encouraging bartering our services. I feel like we’re chasing our tails, arrggghh.
P.S. Your missing “L” in Clients 🙂 in title
Here is the link:
http://www.graphicdesignblender.com/how-to-miraculously-build-a-profitable-relationship-when-your-clients-budget-is-low
Hi Eva,
Yeah, there are some things on GDB that I disagree with, but overall I think they offer some solid advice, especially if you’re just starting out!
That’s a hard one, I can’t say that article is 100% wrong, but I can see where it might give the wrong impression.
The way I see it is, there are basically two camps of graphic designers: the purists (like you and me) who believe that the designer is the professional and should be listened to and respected; we have principles and will stick up for them, even if it means losing a client.
On the other side are the pragmatics, who are more of the mindset “the customer is always right,” and they will do almost anything to ensure their clients are happy and return. This can turn into a slippery slope of what you described, becoming a doormat and pixel-pusher.
While I can see both sides, but at the end of the day, we have to live with our positions.
The problem is Sheila, that our clients read graphic/web design blogs as well and they see that it’s ok to design their own layouts or barter for our services, because people like April Greer let them. You don’t see this in other professions, just imagine dentist, hairstylist, plumber, restaurants etc. promoting or doing something like that, so why the heck should we? In my eyes this is not acceptable, I don’t want my clients do my job! It’s impossible for that situation have a positive outcome, because that particular client will never respect you. Designers should not have split personalities 🙂
[…] a great post at Apex Creative about red flags she sees as a graphic designer and what prompts her to walk away from problematic projects, a lot of which I also believe. The core of it is that nobody likes being told they need to turn […]
Goes both ways. As a business, we’ve had terrible experiences with ad agencies and graphic designers.
Seems there is some snobbery in the ad agency world that only wants the big, monthly paying clients. One wanted us to fork over a $5K deposit just to drive down to discuss our needs which could have been accomplished by phone or other means. Like extortionists, they unabashedly questioned how much our company was willing to spend up front and monthly.
The two graphic designers we’ve tried to work with have disregarded our requests and acted independently on our behalf without authorization then delivered what they think we should have. They have imposed unwarranted delays by failing to respond then give a snappy response along with a poor product that was clearly rushed. Failing to deliver a duplicate of a design we submitted, they they want to charge us additional hourly fees for mistakes they made. Outrageous!
We’re done with “creative folks” with inflated egos that attitude of whom is brilliantly expressed in this article. We’re continuing to develop our graphics in-house as before which anyone with a computer an an ounce of creativity can do.
Thanks for reading, I’m sorry that you had such bad experiences.
I agree that it can go both ways, but unfortunately it’s more true that the graphic design field in general is not highly respected or appreciated. As proved by your remark that “anyone with a computer and an ounce of creativity can do.”